The Sacred Geometry of the Web of Fear

ARNOLD: Well I don't see as I can put it any clearer, sir. We're here at Goodge Street, right? And the fungus has gone all the way round the Circle Line. 

CHORLEY: Yes, I know that, man, but these other tunnels, the Northern Line, the Central Line, I mean, they're not filled, are they. 

ARNOLD: No, sir 

CHORLEY: They must be on a different level to the Circle Line. I mean, Wait a minute, it's absolutely simple. We go out under the stuff. 

ARNOLD: Now look, sir. You know we've already lost two men trying to do that. The influence of this fungus extends through the earth, both downwards and up. Believe me, sir, we're trapped. 

As Above, So Below

KNIGHT: Moving? Are you sure it was moving? 

EVANS: Well of course I'm sure, sir. Sounds daft, I know, but it seemed to be following a Yeti that had a kind of pointed glass thing in its hands. 

JAMIE: Was it shaped like a pyramid? 

EVANS: Well, I suppose it was, really. 

[Actually, it's a TETRAHEDRON]

JAMIE: Well, that's it. Smash the pyramid, and you put the Intelligence out of action. 

KNIGHT: What Intelligence? 

ARNOLD: Whereabouts did you say this happened? 

EVANS: Kings Cross, Staff. 

KNIGHT: What? 

ARNOLD: Headquarters, sir. HQ may be in danger. 

KNIGHT: Yes. We'd better get back as soon as we can. 

JAMIE: No, look. 

ARNOLD: You heard what the officer said. Now come on. 

JAMIE: Look, I came down here to find the Doctor. I'm not going back till I have. 

ARNOLD: Now look here 

JAMIE: No, I'm not going. And if I get a chance to smash that pyramid, I will...

TRAVERS: The sphere. It's gone. It's disappeared! Look, you must let me have the Yeti back, Julius. Oh, make him understand, Anne...

"Everything in our reality possesses a star tetrahedral energy field, and planets are no exception.  The points of the bases of the two tetrahedrons in the star tetrahedron touch an enclosing sphere at 19.47  degrees. At each planet’s 19.47  degree latitudes we have the intersection between the light body of the planet and its surface, and since light-bodies have the ability to connect us to other dimensions, at these latitudes we have an energetic predisposition for inter-dimensional experience. 

Hence at these latitudes we find the massive volcanoes on Mars, the great red spot of Jupiter, two volcanoes on Venus, a dark spot on Neptune, dark cloud bands on Saturn, sun spots on the sun, and the volcanoes of Hawaii.

The Star Tetrahedral form of the Merkaba is an immense science that is being studied everywhere throughout the world. "

I quote The Enemy:

"Henry Lincoln is best known for being one of the co-authors of the controversial 1982 best-seller The Holy Blood and the Holy Grail. During the mid-1970s, while Lincoln was lecturing at a summer school, he met Richard Leigh, an American fiction writer. Leigh introduced him to Michael Baigent, a New Zealand photo-journalist who had been working on a project about the Knights Templar. The three discovered that they shared a common interest in the Knights Templar, and between them later developed a theory that Jesus Christ had started a bloodline that had later intermarried with the Frankish Merovingian royal dynasty.

The three of them took their theory on the road during the 1970s in a series of lectures that later developed into the 1982 book, The Holy Blood and the Holy Grail, which became a best-seller and popularised the theory that Jesus had fathered a still extant and powerful bloodline (the true Holy Grail), and was all tied together by a fake secret society known as the Priory of Sion. These ideas were later used as the basis of Dan Brown's novel The Da Vinci Code.

The book has been described as "a work thoroughly debunked by scholars and critics alike". Arthurian scholar Richard Barber has commented, "It would take a book as long as the original to refute and dissect The Holy Blood and the Holy Grail point by point: it is essentially a text which proceeds by innuendo, not by refutable scholarly debate". 

Dan Brown lawsuit

Some of the ideas presented in The Holy Blood and the Holy Grail, were incorporated in the best-selling American novel The Da Vinci Code, by Dan Brown.

In March 2006, Baigent and Leigh filed a lawsuit in a British court against Brown's publisher, Random House, claiming copyright infringement. On 7 April, High Court judge Peter Smith rejected the copyright-infringement claim, and Dan Brown won the court case.

Lincoln was not involved in the proceedings, reputedly because of illness; however, in the Channel Five documentary Revealed... The Man behind the Da Vinci Code Lincoln stated that he did not wish to take part in the proceedings because the ideas brought forth in Holy Blood were not even original themselves, and Brown's actions could only be described as, "a bit naughty." An earlier novel had already used the theme of a Jesus bloodline: The Dreamer of the Vine, by Liz Greene, published in 1980. Greene is Richard Leigh's sister and was Michael Baigent's girlfriend at that time; she was not sued for plagiarism."

http://www.henrylincoln.co.uk/geometry.php

	WHY I AM SURE THAT THE GEOMETRY OF  RENNES-LE-CHÂTEAU IS BEYOND QUESTION In 1971, when I began work on my first film about Rennes-le-Château, I thought that I was introducing the English-speaking world to a fascinating, essentially unimportant, little local French mystery. Before that film was completed, I already knew that there was much more to the story of Bérenger Saunière and his little village. I had begun with Gérard de Sède’s account in Le Trésor Maudit and I soon began to realise that he was not telling the whole story. Geometry had begun to raise its head and it was ten years before I grasped the full significance of what I was beginning to uncover. Facts began to appear which were hard to accept and which took yet more years of careful work before I could show the world what I had found. Bérenger and his treasure remained a wonderful mystery, but behind it lay something else ... the extraordinary nature of the backdrop to his story. Now with the passing of another thirty years there remains no shadow of doubt and I find it strange that the truth is still uncomfortable for some people who insist that the geometry of Rennes-le-Château can be found anywhere and in any landscape. But this is a wilful misunderstanding of the special nature of the Rennes-le-Château phenomenon. Certainly, it is true that shapes can be traced ... hexagons, pentagons, triangles ... by drawing lines through churches anywhere. And the same can be done with public telephones – letter-boxes – even municipal rubbish tips. But these are arbitrary designs. They are not – like Rennes – controlled by a fixed, precise and repeated measure. (Those of you interested in looking for yourselves will find that on a map of scale 1:25000 the measure is a whisker less than 188 mm.) When the discovery was first made, I was obliged to calculate that distance laboriously, using my utterly inadequate knowledge of mathematics. Only much later did I discover that the measure is already defined by the mountains. It is repeated many times between structures marked upon our local map. It is, for example, the distance between the churches of Arques and Terroles; of Arques and Peyrolles; of Esperaza and Coustaussa; of Esperaza and Granès – and many, many more. So how was this astonishing discovery made? To answer this question, I must return to the beginning of my quest. In 1971 I was intrigued to find that, behind the curious writing of the famous parchments supposedly discovered by Saunière, lay hidden another mysterious layer ... a five-pointed star. It was my first glimpse of geometry. And it meant nothing to me. I could do no more than note the oddity and file it in the back of my mind. At the same time I was trying to make sense of the Poussin painting, The Shepherds of Arcadia. Once more I found geometry – and it was Prof Cornford of London’s Royal Academy of Art who proved that, again, we were confronting the five-pointed star. We were both astonished - and puzzled. And then Prof Cornford suggested that I look in the landscape. It was thus that the awe-inspiring pentagon of natural mountain peaks was discovered ... Blanchefort, La Soulane, Bezu, Serre de Lauzet and Rennes-le-Château with La Pique marking the centre. But still there remained the question: What can be the significance of this amazing wonder? The answer lay in yet another aspect of Rennes-le-Château’s mystery. The answer to another question. Why was Saunière’s church dedicated to St Mary Magdalene? In centuries past when that dedication was made, Mary Magdalene, the first to see the risen Christ, was looked upon as the “Medium of the Secret Revelation��? and she was honoured with a symbol in the Heavens. That symbol was the planet Venus. Yet another question: why Venus? And here lay the secret. Venus is special. She conceals a marvel in her movements across the firmament. Each planet, as it circles, traces a pattern in the sky. A pattern formed by the number of times that it creates an alignment of Planet ... Sun ... Earth. Mars shows us an irregular four-sided figure in its four alignments. Mercury traces a great irregular triangle. Each planet aligns a different number of times and so forms an irregular geometric figure. But Venus is different. Alone among the circling planets, Venus creates a perfect, regular and powerful symbol in the Heavens. In exactly eight full years she aligns five times. A pentacle. The five-pointed star ... the embodiment of the Divine Proportion. Professor Cornford said of this geometric figure, that ... ‘it enjoyed immense prestige and excited nothing short of reverence ... since very ancient times.’ As Above – So Below The Magdalen – whose symbol is Venus – the goddess who traces that magical shape across the sky. The shape traced by Rennes-le-Château’s Pentacle of Mountains.    Terribilis est Locus Iste ... Truly, This Place is Awesome.    The wonder in the Heavens is reflected here upon the Earth.  For our ancestors this was indeed a Holy Place. And for us ... ... ... ?